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If you remember having kissed
your better half listening to a Count Basic record at 78
RPM (That is Revolutions or spins Per Minute for the newbies),
fearing that your in-laws will catch you, it is very likely
that you might have difficulties reading this article without
magnifying glasses. However, is the first time you listened
to music was on MP3 format, you probably can't read this
article yet.
People's age can be estimated by the way the music was recorded
and played when they were born. Would you be happy if somebody
calls you older than a vitrola?
The evolution of recorded sound spans a
long time. In 1500 BC the Greeks created the colossal "vocal"
statue of Memmon. In the middle Ages, music was reproduced
by cylinders with attached pins that would strike certain
keys or bells when rotated.
A few centuries later, at the beginning of the nineteenth
century, the flood of new inventions from
the Industrial Revolution, brought long punched-card
strips, derived from the textile industry, to control the
air bellows of an organ “The Jacquard
organ” or the keys of a piano. (What a party!!!!!)
After the wheel and the card, electricity emerged as the
main method of recording sound. After countless attempts
by many inventors, Edison made the first recording of a
human voice ("Mary had a little lamb") in 1877
on the first tinfoil cylinder phonograph,
and started the modern history of sound recording.
The next step was to jump from the cylinder to the disc,
initially, 7-inch hard rubber discs, and later shellac
from the Duranoid Co. By 1894, the newly formed U. S. Gramophone
Company had sold 1000 gramophones and over 25000 records
that played at 78 RPM.
Bitter battles followed among the many inventors and entrepreneurs
that tried to dominate this lucrative business and many
new devices were thrown into the market. Names like graphophone,
Indestructible Phonograph, Telegraphone, Zonophone, Dictaphone,
and the better known “Victrola" were competing
for customers.
In 1926, Vitaphone Co. introduced the new recording speed
of 33 1/3 rpm in synch with the sound of
film reels and in 1948 a “War of speeds” among
the three recording speeds of 78, 45, 33-1/3 rpm was at
a peak.
The next big step was the magnetic recording, patented in
Germany, in 1928.
In 1945, Capt. John Mullin captured two Magnetophones in
Radio Frankfurt, and brought them home and marketed them.
Only in 1963, Philips demonstrated its first compact audio
cassette, the popular “CASSETTE” we all know,
and still listen to sometimes (OLDIE!!!!!).
In 1966, William Lear (founder of the Learjet aviation company)
introduced the 8-track stereo cartridge tape players, developed
for U.S cars, and yet another battle began, but the Cassette
prevailed.
1982, marked the end of the analogical era of recording
music and the beginning of the digital age, when the first
digital audio 5-inch CDs were marketed, merging
the consumer music industry with the computer revolution,
followed in 1987 by the introduction of Digital Audio Tape
(DAT) players, a kind of digital cassette that never really
took off. Soon, everybody went digital. In 1988, for the
first time, CD sales surpassed LP sales, leaving Cds and
cassettes as the two dominant consumer formats.
Up to here, and due to the restrictions on the storage
capacity, only sounds could be stored. For example, a CD-ROM
could store around 700 Mb. of data, that is close to 74
minutes of good music, but something was about to change!!
In 1993, the first versions of the DVD, (Acronym for Digital
Video Disc or Digital Versatile Disk), were developed and
in November 1996, the first DVD players went on sale in
Japan.
This advanced type of CD-ROM can hold a maximum of 17 gigabytes
of information, and opened the possibility of storing entire
movies.
You thought that was it? It just started, at that time Internet
was developing and brains were working. Something was needed
for people to be able to download music to the computer
and share it with friends. But music takes a lot of space
in the computer, and a lot of time to download. So, it had
to be compressed.
In 1997, in San Diego, Michael Robertson, developed mp3,
(short for Motion Picture Experts Group 1, Audio Layer 3),
opening a new era for sound recording.
Now the music have no owners. Why buying if you could download
it for free? You could have it in your computer and share
it by using some of the available programs like Kazaa, etc...
As expected, the big recording companies are not happy and
are still fighting legal battles against this new revolution.
So, what's next? Several new technologies which are promising
more capacity, compression and quality are already competing
to be the standards of the future, but that story will have
to be written by the mp3 babies of today.
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